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Ballet Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

In the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a simple tee. On stage, ballet dancers can appear like mighty gods, yet often in person they are small. Not so Ball, whose height is part of his demand for heroic roles and pas de deux work. With delicate features and intense eyes, there's a touch of a brooding actor about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced minimal ridicule for his early passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the company and was promoted each year, attaining the highest position of lead dancer in 2018. He has loved tackling substantial characters, especially the emotional turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured appearance is in a talk, in an "Evening With" event aiming to offer intimate perspectives into a dancer's craft. He will walk the crowd through a part, demonstrating his mental workflow while execution. Yet in lighter works, the test is profound. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Emotions

What about after a performance, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get immersed in the character, quite often I do feel embarrassed later. Following an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Early Drivers and Artistic Influences

His tenacity stemmed from early experiences. Not doing well in competitions at school made him "vengeful!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming challenge is making his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from literature, music, and art.

Intimate Performance and Private Dynamic

He also favors staging dance in more intimate venues. "It was just really exciting," he says of a past experience. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple are not usually paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Image

On Instagram, fans can see clips from his projects and images that showcase a athletic physique. Does he mind that the response can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball characterizes his early self as "eager for success." Did it met his expectations? "I feel very aware of how life is a separate thing to the aspirations you had as a child," he muses. He probably has another ten years of performing left. "I suppose in the future, I want to be a bit more kind with myself."

By

Gary Lewis

Elara is a seasoned gaming journalist with a passion for slot mechanics and player strategies.

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